Traces of Change and Dynamics of Malang City: Literature Study in Photography
##plugins.themes.bootstrap3.article.sidebar##
##plugins.themes.bootstrap3.article.main##
Abstract
This article documents the role of photography in capturing and analyzing the transformation of Malang City, which celebrates its 110th anniversary in 2024. Through careful literature review, this study identifies the contribution of photography from various genres in enhancing our understanding of the development of infrastructure, social dynamics, and cultural changes in Malang City. The aim of this research is to depict photography not only as a documentation tool but also as an analytical medium that provides profound insights into urban changes from social, economic, and cultural perspectives. The method employed involves content analysis of photographs collected from various sources, including public archives, art exhibitions, and private collections. The findings of this research highlight the importance of photography in recording the history of Malang City's development over time, as well as understanding the impact of these changes on the local community and culture. The implication of this research is to increase appreciation for the documentary and analytical value of photography in the context of urban studies, and to promote the use of photography as a means of reflection and learning for the city's residents.
##plugins.themes.bootstrap3.article.details##
[2] A. F. Aini, “Analisis Analisis Dampak Urbanisasi Terhadap Pertumbuhan Ekonomi Kota Surabaya,” JOURNAL ECONOMICS AND STRATEGY, vol. 3, no. 2, pp. 60–67, Dec. 2022, doi: 10.36490/jes.v3i2.425.
[3] B. K. P. K. PUPR, “Pembangunan Infrastruktur Dorong Pertumbuhan Ekonomi,” Kementerian Pekerjaan Umum dan Perumahan Rakyat Republik Indonesia. [Online]. Available: https://pu.go.id/berita/pembangunan-infrastruktur-dorong-pertumbuhan-ekonomi
[4] A. F. Aini, “Analisis Dampak Urbanisasi Terhadap Pertumbuhan Ekonomi Kota Surabaya,” JOURNAL ECONOMIC AND STRATEGY (JES), vol. 3, no. 2, pp. 60–67, 2022, doi: EISSN: 2745-6544.
[5] B. P. BRODJONEGORO, “Urbanisasi dan Transformasi Kota,” Kompas.id, 2023.
[6] A. P. Herwanto, “Perancangan Buku Etnofotografi Kesenian Bantengan,” Yogyakarta, 2012. [Online]. Available: https://opac.isi.ac.id/index.php?p=show_detail&id=26194#gsc.tab=0
[7] A. P. Herwanto, “Aesthetic Composition in Portrait Photography,” in Prosiding ICADECS, 2020, pp. 623–630.
[8] S. Tahalea, “Kritik Fotografi: Mendeskripsikan Sebuah Foto Dari Sisi Subjek, Bentuk, Media Dan Gaya,” Dimensi, vol. 16, no. 1, pp. 85–96, 2019.
[9] A. A. Wibowo, “FOTOGRAFI TAK LAGI SEKADAR ALAT DOKUMENTASI,” Imaji, vol. 9, no. 2, pp. 137–142, 2015, doi: https://doi.org/10.15294/imajinasi.v9i2.8847.
[10] S. Budi, “Peranan Foto Udara Dalam Perencanaan Kota,” in Forum Geografi, vol. 10, no. 6, 1992, pp. 46–54.
[11] M. R. S. Rudhyni, “Fotografi Udara Sebagai Sarana Penunjang Ikon Identitas Kota Surabaya,” Ikonik Jurnal Seni dan Desain, vol. 1, no. 1, pp. 43–60, 2019, doi: 10.51804/ijsd.v1i1.425.
[12] Pixel, “Aerial Photography: Sejarah, Jenis dan Manfaatnya,” Pixel. Accessed: Jan. 03, 2024. [Online]. Available: https://www.pixel.web.id/aerial-photography/
[13] H. Tjiang, Hari Belajar Drone Photography. Jakarta: PT Elex Media Komputindo, 2017.
[14] A. Ma’arif and A. Mulyadi, “Street Photography,” UPI. Accessed: Jan. 03, 2024. [Online]. Available: http://fotografi.upi.edu/home/6-keahlian-khusus/street-photography
[15] Eraspace, “Ketahui Apa Itu Street Photography dan Bagaimana Menggunakannya.”
[16] Snapshot, “5 Tips dalam Fotografi Jalanan untuk Menangkap Sisi Kehidupan yang Sopan.” Accessed: Jan. 03, 2024. [Online]. Available: https://snapshot.canon-asia.com/id/article/indo/5-tips-in-street-photography-to-capture-the-candid-side-of-life
[17] Y. W. Mulyaningrum, “Pencarian Identitas Remaja Dalam Fotografi Dokumenter,” Institut Seni Indonesia, 2015. [Online]. Available: http://digilib.isi.ac.id/508/1/jurnal yuntri.pdf
[18] S. N. Putri and A. Gumilar, “Dokumentasi,” UPI. Accessed: Jan. 03, 2024. [Online]. Available: http://fotografi.upi.edu/home/6-keahlian-khusus/2-dokumentasi
[19] Saintd, “Pengertian Documentary Photography dan Contohnya,” saintd. Accessed: Jan. 03, 2024. [Online]. Available: https://www.saintd.co/2019/01/pengertian-documentary-photography.html?m=1
[20] A. P. Herwanto and A. A. Sutrisno, “Continous Light Dan Artificial Light Pada Karya Portrait Fotografi Bantengan,” Journal of Art, Design, Art Education And Culture Studies (JADECS), vol. 4, no. 1, pp. 32–38, 2019, doi: http://dx.doi.org/10.17977/um037v4i12019p32-38.
[21] M. Wibawa, S. Sunarmi, and S. Soewarlan, “Transformasi Digital Sebagai Strategi Kenusantaraan Warisan Budaya: Studi AI Pada Kereta Kencana Paksi Naga Liman,” MAVIS : Jurnal Desain Komunikasi Visual, vol. 6, no. 01, pp. 1–11, 2024, doi: 10.32664/mavis.v6i01.1187.
[22] A. Singh, “Andy Warhol and The Politics of Pop Art.” [Online]. Available: https://www.1st-art-gallery.com/article/andy-warhol-politics-pop-art/
[23] artweblist, “Andy Warhol and the Reinvention of Art,” artweblist. Accessed: Jan. 03, 2024. [Online]. Available: https://artweblist.com/andy-warhol-and-the-reinvention-of-art/
[24] P. Sarkar, “5 ways Andy Warhol changed art forever.” [Online]. Available: https://www.thedailystar.net/life-living/news/5-ways-andy-warhol-changed-art-forever-3254591
[25] P. D. B. Menyan, “Teknologi Digital untuk Pelestarian Budaya: Menciptakan Warisan Online,” Pemerintah Desa Batu Menyan. [Online]. Available: https://www.batumenyan.desa.id/teknologi-digital-untuk-pelestarian-budaya-menciptakan-warisan-online/
[26] M. Alawi, R. Fatwa, and D. Pramono, “Pengembangan Sistem Informasi Geografis Cagar Budaya di Malang Raya Berbasis Webgis, 3D, dan Gamifikasi,” Jurnal Pengembangan Teknologi Informasi dan Ilmu Komputer, vol. 2, no. 4, pp. 1464–1474, 2018, doi: e-ISSN: 2548-964X.