Representasi Toxic Relationship Tokoh Aurora Pada Film Jalan Yang Jauh Jangan Lupa Pulang
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Abstract
This research aims to describe the representation of the toxic relationship of the character Aurora in the film Jalan Yang Jauh Jangan Lupa Pulang using John Fiske's semiotic analysis method, The Codes of Television theory. This theory has three level classifications, including the reality level, representation level and ideology level. This research uses a qualitative descriptive approach method using observation, documentation and literature study as data collection techniques. The formulation of this research problem is as follows; What is the reality level of Aurora's character's toxic relationship in the film Jalan Yang Jauh Jangan Lupa Pulang? What is the level of representation of Aurora's toxic relationship in the film Jalan Yang Jauh Jangan Lupa Pulang? What is the ideological level of Aurora's toxic relationship in the film Jalan Yang Jauh Jangan Lupa Pulang?. The results of this research describe that the level of reality, level of representation, and level of ideology in the character Aurora have similarities with the current social reality. Where the gestures and expressions of each film actor highlight this side, such as the characteristic of not caring or being indifferent to the existence of people in the surrounding environment, in other words, the egoism side is more prominent in the character of Aurora as a character who experiences a toxic relationship.
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References
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[2] A. Azizi, “Menyingkap Pesan Sosial di Balik Layar Film,” himakom. Accessed: Oct. 28, 2023. [Online]. Available: http://himakom.student.uny.ac.id/menyingkap-pesan-sosial-di-balik-layar-film/
[3] F. R. Makarim, “Perlu Tahu agar Tak Terjebak, Ini 6 Ciri-Ciri Hubungan Toxic,” halodoc.com. [Online]. Available: https://www.halodoc.com/artikel/perlu-tahu-agar-tak-terjebak-ini-6-ciri-ciri-hubungan-toxic
[4] C. Takariawan, “Survei: Perempuan Lebih Egois,” Kompas.com. [Online]. Available: https://nasional.kompas.com/read/2011/06/06/11595249/~Beranda~Isu Wanita
[5] N. Solferino and M. E. Tessitore, “Human networks and toxic relationships,” Mathematics, vol. 9, no. 18, pp. 1–9, 2021, doi: 10.3390/math9182258.
[6] E. Prawintasari, “Toxic Relationship Dalam Media seni,” Prosiding, pp. 229–237, 2022.
[7] S. Wulandari, “Media Sosial Dan Perubahan Perilaku Bahasa,” Mediakom : Jurnal Ilmu Komunikasi, vol. 2, no. 1, pp. 181–188, 2018, doi: 10.35760/mkm.2018.v2i1.1890.
[8] N. I. Purnamasari, “Cancel Culture: Dilema Ruang Publik Dan Kuasa Netizen,” Mediakom : Jurnal Ilmu Komunikasi, vol. 6, no. 2, pp. 137–149, 2022, doi: 10.35760/mkm.2022.v6i2.7719.
[9] E. A. Sosiawan, “Penggunaan Situs Jejaring Sosial sebagai Media Interaksi dan Komunikasi di Kalangan Mahasiswa,” Jurnal Ilmu Komunikasi, vol. 9, no. 1, pp. 60–75, 2020.
[10] S. Kemp, “Digital 2023: Indonesia,” Datareportal. Accessed: Oct. 28, 2023. [Online]. Available: https://datareportal.com/reports/digital-2023-indonesia
[11] M. R. Nasution, N. Farida, and F. D. Lestari, “Penggunaan Media Dan Kredibilitas Media Online: Menganalisis Pengaruhnya Pada Pemenuhan Kebutuhan Informasi Audience,” Mediakom : Jurnal Ilmu Komunikasi, vol. 7, no. 1, pp. 76–86, 2023, doi: 10.35760/mkm.2023.v7i1.8435.
[12] A. Syafira, D. Safitri, J. Seni, R. Fakultas Bahasa, and D. Seni, “Nanti Kita Cerita Tentang Hari Ini : Tanda Dan Penanda John Fiske Sebagai Film,” vol. 2, no. 3, p. 2022, 2022.
[13] H. Pongantung et al., “Pentingnya Edukasi Dampak Toxic Relationship Pada Mahasiswa,” Pengabdian kepada Masyarakat Nusantara, vol. 3, no. 2, pp. 2162–2169, 2023.
[14] A. Aprilia, “Toxic Relationship Dalam Film ‘Jalan Yang Jauh Jangan Lupa Pulang’ Karya Angga Dwimas Sasongko,” Universitas Muhammadiyah Sumatera Utara, 2023.
[15] H. Ahla, N. Amin, R. Q. Adisyah, and R. Ramadhani, “Analisis Emosi Pada Tokoh Aurora Dalam Film Jalan Yang Jauh, Jangan Lupa Pulang,” Academia.Edu, 2023.
[16] A. Ichwani and V. D. Adiprabowo, “Representasi Komunikasi Keluarga dalam Film Jalan yang Jauh Jangan Lupa Pulang,” Bandung Conference Series: Public Relations, vol. 4, no. 1, pp. 31–36, 2024, doi: 10.29313/bcspr.v4i1.10251.
[17] E. Murdiyanto, Metode Penelitian Kualitatif (Sistematika Penelitian Kualitatif). 2020.
[18] A. Risi and Z. Zulkifli, “Kajian Semiotika Ilustrasi Digital Karya Agung Budi Santoso (Pendekatan Semiotika Roland Barthes),” MAVIS : Jurnal Desain Komunikasi Visual, vol. 4, no. 02, pp. 47–55, Sep. 2022, doi: 10.32664/mavis.v4i02.739.
[19] Z. Abdussamad, Metode Penelitian Kualitatif, 1st ed. Makassar: Syakir Media Press, 2021.
[20] Kuntjojo, Psikologi Kepribadian. Kediri: Kediri : Universitas Nusantara PGRI Kediri, 2009.
[21] S. T. Agatha, “Representasi Egoisme Dalam Film ‘Pintu Terlarang,’” Jurnal Kommas: Universitas Sebelas Maret, p. 18, 2021.
[22] D. F. R. Puspita and I. K. Nurhayati, “Analisis Semiotika John Fiske Mengenai Realitas Bias Gender Pada Iklan Kisah Ramadhan Line Versi Adzan Ayah,” ProTVF, vol. 2, no. 2, p. 157, 2019, doi: 10.24198/ptvf.v2i2.20820.
[23] R. A. Pasha, “Representasi Gay Dalam Video Klip You Are The Reason - Calum Scott,” Universitas Semarang, 2020.
[24] T. Pah and R. Darmastuti, “Analisis Semiotika John Fiske Dalam Tayangan Lentera Indonesia Episode Membina Potensi Para Penerus Bangsa Di Kepulauan Sula,” Communicare : Journal of Communication Studies, vol. 6, no. 1, p. 1, 2019, doi: 10.37535/101006120191.
[25] O. Sutanto, “Representasi Feminisme Dalam Film ‘Spy,’” Jurnal e-Komunikasi, vol. 5, no. 1, pp. 1–10, 2017.
[26] A. A. Suwasono, “Elemen Tanda Dalam Film,” Online Journal of ISI Yogyakarta, vol. 02, no. 4, pp. 43–52, 2012.
[27] J. Narimo, “14 Tipe Shot Dalam Pengambilan Gambar Film,” Tumpi. Accessed: Jul. 22, 2023. [Online]. Available: https://tumpi.id/14-tipe-shot-dalam-pengambilan-gambar-film/
[28] A. Puji, “Intermittent Explosive Disorder,” hellosehat.com. Accessed: Dec. 16, 2023. [Online]. Available: https://hellosehat.com/mental/gangguan-mood/penyebab-gangguan-ledakan-saat-marah/
[29] A. Rifda, “11 Arti Warna dalam Psikologi dan Filosofinya,” gramedia.com. Accessed: Dec. 16, 2023. [Online]. Available: https://www.gramedia.com/best-seller/arti-warna-dalam-psikologi-dan-filosofinya/
[30] V. Garcia, “Bukan Cengeng, Kita juga Bisa Menangis Ketika Sangat Marah,” klikdokter.com. Accessed: Dec. 16, 2023. [Online]. Available: https://www.klikdokter.com/info-sehat/berita-kesehatan/bukan-cengeng-kita-juga-bisa-menangis-ketika-sangat-marah
[31] S. Nizar, “Gelas dan Hati,” RiauPos.co. Accessed: Dec. 16, 2023. [Online]. Available: https://riaupos.jawapos.com/betuah/29/05/2023/302371/gelas-dan-hati.html
[32] E. Wijayanti, “7 Sikap yang Bisa Membuat Hubungan Makin Renggang,” fimela.com. Accessed: Dec. 16, 2023. [Online]. Available: https://www.fimela.com/relationship/read/5426648/7-sikap-yang-bisa-membuat-hubungan-makin-renggang
[33] M. Hendrasari, “Arti di Balik Suara yang Tinggi dan Cepat Saat Debat,” Kompas.com. Accessed: Dec. 16, 2023. [Online]. Available: https://lifestyle.kompas.com/read/2014/06/11/0759507/Arti.di.Balik.Suara.yang.Tinggi.dan.Cepat.Saat.Debat
[34] C. Tanjoeng, “Ambient Lighting: Pengertian, Jenis, dan Manfaat,” detik.com. Accessed: Dec. 16, 2023. [Online]. Available: https://www.detik.com/properti/interior/d-7088108/ambient-lighting-pengertian-jenis-dan-manfaat
[35] F. Muliathoha, “Subjek Manusia Egois Max Stirner,” Sangla Institute. [Online]. Available: https://www.sanglah-institute.org/2021/02/subjek-manusia-egois-max-stirner.html